School of Historical and Philosophical Studies - Research Publications
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ItemImperial legacy: the politics of display in Australia( 2004)Somewhere among the countless rows of objects currently on display in the British Museum’s Enlightenment exhibition there rests a flaking bark shield. This battered, utilitarian object stands somewhat apart from the splendidly exotic artefacts that surround it. Yet beneath its unprepossessing appearance there lies an extraordinary provenance. It was taken in 1770 from the Eastern Australian seaboard by Captain Cook’s landing party during its initial encounter with the first inhabitants of the land incorporating what is now known as Sydney. The shield has been placed in a display of non-Western artefacts acquired during the period of Enlightenment discovery “through gift, trade or purchase”. In truth, however, none of these words could be used to describe its acquisition. It was hardly given, since it came into the party’s possession as a result of their shooting at a group of Eora people who left the cover of trees, apparently shouting at them to leave. Neither was it traded, unless one views a bullet fired in anger as a fair offer of exchange. Nor could it be called a purchase, unless one counts as a purchase price the blood shed by its original owner as he was hit trying to flee the invaders.
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ItemComing home to the land( 2006)A version of this essay appeared as Leslie, D. (2006). Coming home to the land. Eureka Street, March-April, 30-31.This essay is a tribute to artist Lin Onus. It explores and assesses his artistic legacy as a journey into a healing land; a place of refuge and Aboriginal tradition which encourages empathy. Onus’s painting is contemplated for the inspiration it presents, not only in regard to increased understanding of Aboriginal and cross-cultural Australian histories, but to the medium of painting as a way of bridging the cultural gap and transcending the limitations of history.
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ItemBeauty contest for the British bulldogs? Negotiating (trans)national identities in suburban Melbourne(Melbourne University Press, 2003-11)‘Britfest’ is a local festival held in the Melbourne suburb of Frankston. Like the numerous festivals of ethnicity in Australia that simultaneously celebrate cultural distinction and national incorporation, Britfest offers a historically specific reaction to the re-imagining of the nation. This article examines this new expressive tendency within the context of recent debates about Britishness in Australia, and explores the ramifications for identity formation and cultural affiliation among British migrants. By locating this analysis in Frankston, we aim to provide a situated example of the ways in which British ethnic identities are being negotiated. Such localised and specific responses, however, are operating within and are influenced by the broader context of shifting representations of a diverse British diaspora. Like British-Australians, members of this diaspora also inhabit nations shaped by the legacies of British imperialism, colonisation and migration. Shifting meanings of Britishness also represent and inform a more general ‘crisis of whiteness’, indicating how culturally embedded the colonial equation of Britishness with whiteness has been for those who imagine themselves at the core of the contemporary Australian nation.