Zoology - Theses
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ItemThe function of female and male ornaments in the lovely fairy-wren( 2019)Ornaments like plumage colours or complex song are generally regarded as male traits that are shaped by sexual selection. By contrast, the factors that shape female elaborate traits have often been overlooked, though they are expressed in females across many taxa. Understanding how trade-offs and selective pressures shape female ornamentation is crucial for advancing our understanding of trait evolution. In this thesis, I investigate the form and function of female and male plumage colour and song in the Lovely fairy-wren (Malurus amabilis), a tropical species in which females and males are both highly colourful and vocal. This was investigated over three consecutive years and field seasons in Far North Queensland, Australia. My thesis research employed field observations, behavioural experiments, and genetic analysis, to test the adaptive function(s) and mechanisms for the evolution of female and male ornamental traits. I explicitly contrast females and males so that we can address, in the light of the abundant work done on males, how females may or may not differ from males. To provide context for the ornamental traits that are exhibited by this species, I first provide a comprehensive overview of the ecology and breeding biology of the Lovely fairy-wren, since a detailed description on the species natural history prior to this work was lacking. To understand the function of plumage colouration, I studied whether plumage colour in females and males is a signal and experimentally tested if it functions in a competitive context. Additionally, I assessed whether plumage colour is sexually selected, by examining its signalling content, costs (survival), and its relationship with reproductive and paternity success. Lastly, I investigated the song function, by describing female and male song structure and examining sex-specific variation in song rate across different contexts. I also used experimental data to examine female and male responses to simulated territorial intrusion. Overall this thesis provides insight into the form and function of both female and male plumage colours and song. First, it shows that visual and acoustic ornaments are important signalling components in different contexts, suggesting that female ornaments are not just a correlated genetic by-product of traits in males, and that selection favours female (and male) expression of traits. Second, the information conveyed by plumage colouration seems to be context-dependent in relation to the sex of the bearer: in males, it may follow the classical pattern of sexual selection, functioning in mate choice and male-male competition, while in females, plumage colours do not seem to be influenced by male choice, but function in same-sex competitive contexts. Third, it highlights that song has convergent functions in both sexes, as females and males have similar song structure and used song year-round in identical contexts for within-pair communication and joint territorial defence. The fact that females and males sing and have bright colours year-round in parallel with their territorial and breeding behaviour, suggests that individuals use their traits to maintain (sexual and non-sexual) resources. This work highlights the importance of studying and considering the fundamental differences in females and males, a necessary step for a realistic understanding of ornament expression, and contributes to the ongoing discussion on the evolution of elaborate female signal traits.
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ItemPlumage pattern function and evolution: a phylogenetic and comparative approach( 2011)Visual patterns, such as bars and spots, are common in the animal kingdom. In no other group are patterns so exquisite in their arrangement and coloration than in birds. Although bird plumage patterns appear to be visually diverse there are only four types of patterns, which can be broadly categorized into irregular and regular patterning. That these types of irregular and regular patterning are recursive is intriguing and speaks of an underlying shared mechanism on which selection can act. The prevailing assumption is that patterns predominantly function in camouflage, however evidence suggests that they also function in communication in a small number of birds. In particular it has been suggested that barred plumage patterns could be a signal of individual quality. In visual ecology, communication and camouflage seem to be in conflict with one another – visual signals are often conspicuous whereas camouflage has evolved to provide concealment. These ideas of pattern function need not be incongruous if patterns evolved a) for camouflage first and were subsequently co-opted by sexual selection for communication, and/or b) some patterns, specifically barred plumage, evolved for both camouflage and communication to overcome this functional compromise. To test these alternative ideas of pattern evolution I test whether a) patterns were co-opted for signaling in the model group waterfowl and gamebirds, and b) if the evolution of sexual dimorphism in barred plumage indicate camouflage and ⁄ or signaling functions across the class Aves. Additionally, I investigated whether development poses a constraint on pattern evolution in waterfowl and gamebirds. Tracing the most probable evolutionary pathway of plumage pattern evolution revealed that the ancestral state of plumage was uniform coloration. From uniform coloration, patterns initially evolved to be predominantly monomorphic, and subsequently evolved to be sexually dimorphic. In sexually dimorphic patterns, barred plumage frequently evolved in females and males, suggesting a role for both camouflage and communication. However, dimorphic spotted plumage only evolved in males suggesting it predominantly evolved for communication. Overall, it is likely Plumage pattern function and evolution: a phylogenetic and comparative approach ii that patterns originally evolved for camouflage and were subsequently co-opted for signaling. Focusing on the evolution of barred patterns by comparing their prevalence between the sexes I found a higher frequency of female- rather than male-biased sexual dimorphism, indicating that camouflage is its most common function. But I also found that, compared with other pigmentation patterns, barred plumage is more frequently biased towards males and its expression more frequently restricted to adulthood, suggesting that barred plumage often evolves or is maintained as a sexual communication signal. This illustrates how visual traits can accommodate the apparently incompatible functions of camouflage and communication. Lastly, I studied the recurrence of irregular and regular plumage patterns to explore why there are different kinds of patterns that are broadly recursive. By modeling pattern evolution I derived directionality and show that where species exhibit a single pattern, selection need not be constrained by development. However, instances of irregular and regular patterns in the same species are a result of selection on existing patterns. Together this demonstrates that the evolution of patterns is not difficult and that states of multiple pattern types are a result of selection.