Faculty of Education - Research Publications
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ItemSeeing what unfolds: new ways of exploring community art education in formal learning spaces(Intellect, 2023-09-29)This book offers global perspectives on art education as a distinctive practice that emerges from community relationships.
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ItemEncountering a Pedagogy of the World in a University Setting(Taylor & Francis, 2021)Taking up Biesta’s (2019) notion of a pedagogy of the world, we ask: How might participating in an arts-based educational program with/in a university enable young people from schools with low Index of Community Socio-Educational Advantage (ICSEA) values to encounter the world of higher education differently and become different in that encounter? This chapter comes from our engagement with empirical material generated during a (post)qualitative inquiry into the pedagogy of The Art of Engagement-a multi-arts studio program involving relational pedagogy and a/r/tography as curriculum located in SPACE, 1 whereby secondary school students from schools in less socio-educationally advantaged communities came together with undergraduate university students for a five-day intensive within a University of Melbourne breadth subject. The program’s rationale was to connect with secondary school arts students completing their schooling in lower ICSEA value schools 2 through the design of authentic university encounters with/in site, practices and communities. It welcomed the secondary school students into the world of our university and enhanced their capacity to “be at home” in this world, creating the conditions for considering and potentially living different post-school futures.
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ItemThe Othello Theatre in Education Project: Fostering creativity and wellbeing in the face of high levels of violence against women.(Creativity and Wellbeing Hallmark Research Initiative (CAWRI), 2022-12-20)This project included a collaborative team from education, theatre and performance, and feminist and cultural studies. Building on pilot research in criminology, it looks at how theatre and interdisciplinary research can improve the wellbeing of young people in a climate of widespread violence against women. The project used a research-creation approach to examine how the play ‘Othello on Trial’: • Deploys theatre-based techniques that acknowledge diversity in the classroom • Queries assumptions about Shakespeare’s universality and colour-blindness. The project included performances informed by the research team’s collective practice and a symposium for invited stakeholders in the Victorian education sector. These events helped assess the project’s potential for inclusion in school-based curricula, and show the valuable contribution theatre can make to young people’s creativity, critical thinking and wellbeing. Resulting research data and resources will form a digital study to ensure the project’s longevity. This can be used by schools and policymakers in Australia and internationally. Note: Project outcomes reflect study adjustments to account for COVID-19 restrictions.
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ItemTeaching and Learning in COVID-19: Pandemic Quilt Storying(SAGE Publications, 2023)Something changed during the pandemic; we attuned to a call. A call to action, breathing, support, activism, care, well-being, community, minimised mobilities, planetary health and our relations to all these things, and more. We are women working in education spaces across multiple communities, responsive to ongoing matters of concern (Latour, 2008), aware that our rhizomic connections have no middle or end. We use the method and metaphor of the quilt in this collaboration and hold quilting as a Feminist intervention, a return to her-stories and ways of knowing through story as we stitch together cultural and material stories of place. Our COVID-19 chronicles are a creative, collaborative exploration of the initial impact of the COVID-19 pandemic on learning and teaching across our respective countries. This paper is a collaboration of critical auto-ethnographies (Holman Jones, 2016), quilted and stitched together by a group of education scholars who united to research the impact of online emergency teaching that forced education site closures globally. Through this collaborative image quilting, we curated responses to our initial 100-word stories of pandemic life in 2020, that we had posted on a collaborative Padlet. Feminist, storying, and ethnographic theory inform alignment and stitching of each 100-word patch.
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ItemDreams for Digital Spaces Symposium Paper: What Shapes the Worlds of Children, Educators and Researchers?( 2023-04-06)The Dreams for Digital Spaces joint symposium paper was co-written to accompany the Dreams for Digital Spaces Representative Symposia presented at the American Educational Research Association (AERA) annual meeting held in Chicago, US, 14th April 2023. The paper provides further details of each of the four interrelated contributions and full, combined reference list. Abstract: Dreams for Digital Spaces Symposium explores the array of so-called truths that shape the digital worlds of children, educators, researchers, imaginaries, data, AI, algorithms and more through a series of four interconnected presentations involving research that takes up the digital as a focus and/or mode of inquiry. Together the presentations demonstrate the power of combining data science with philosophy, artistry, co-design, and educational research through interdisciplinary collaborations – collaborations which have folded in and out of each other as ideas, methods and even people have travelled. The symposium offers the audience an opportunity to consider how digital practices become the stuff of dreams and nightmares, making room for a multiplicity of potentially transformative truths to take place across virtual and physical sites.
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ItemNo Preview AvailableDreams for Digital Spaces AERA 2023 Representative Symposium( 2023-04-18)The Dreams for Digital Spaces Representative Symposium was presented at the American Educational Research Association (AERA) annual meeting held in Chicago, US, 14th April 2023. These are the slides that accompanied the presentation. Note that Part 1. (whole contribution) and Part 3 (video walk-through of metaverse) contain pop-up video material from the presentation, pre-recorded by colleagues unable to travel to the event. For full details of each of the four interrelated contributions and a full, combined reference list see the The Dreams for Digital Spaces joint symposium paper, co-written to accompany the symposium. Abstract: Dreams for Digital Spaces Symposium explores the array of so-called truths that shape the digital worlds of children, educators, researchers, imaginaries, data, AI, algorithms and more through a series of four interconnected presentations involving research that takes up the digital as a focus and/or mode of inquiry. Together the presentations demonstrate the power of combining data science with philosophy, artistry, co-design, and educational research through interdisciplinary collaborations – collaborations which have folded in and out of each other as ideas, methods and even people have travelled. The symposium offers the audience an opportunity to consider how digital practices become the stuff of dreams and nightmares, making room for a multiplicity of potentially transformative truths to take place across virtual and physical sites.
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ItemEncountering Berlant part 1: Concepts otherwise(Wiley, 2022-12-25)In Part 1 of ‘Encountering Berlant’, we encounter the promise and provocation of Lauren Berlant's work. In 1000-word contributions, geographers and others stay with what Berlant's thought offers contemporary human geography. They amplify an encounter with their work, demonstrating how a concept, idea, or style disrupts something, opens up a new possibility, or simply invites thinking otherwise. The encounters range across the incredible body of work Berlant left us with, from the ‘national sentimentality’ trilogy through to recent work on negativity. Varying in form and tone, the encounters exemplify and enact the inexhaustible plenitude of Berlant's thought: fantasy, the case, love, impasse, feel tanks, slow death, ellipses, gesture, attrition, intimate public, ambivalence, style. Part 2 of ‘Encountering Berlant’ focuses on Berlant's most influential concept: ‘cruel optimism’. Across these heterogeneous encounters, Berlant's enduring concern with the tensions and possibilities of relationality and how to enact better forms of common life shine through. These enduring concerns and Berlant's commitment to the incoherence and overdetermination of phenomena are summarised in the Introduction, which also explores how Berlant's work has been engaged with in geography. The result is a repository of what an encounter with Berlant's thought makes possible.
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ItemHow Does Pedagogical Slipperiness Enable Speculation in/for Teacher Professional Learning?(Association for the Advancement of Computing in Education, 2022)This chapter reports on data generated through a process of COVID-19 attuned metho-pedagogical innovation established in the chapter "what are artists and art educators teaching us about how we can conceive and deliver teacher professional learning into the future?" Analysis of data reported in Coleman and MacDonald’s (2020) chapter articulates how movement between temporal and latent space enables teachers to attend to professional learning during times of COVID-19 driven interruption. The act of moving between the temporal and latent creates what can be described as Deleuzean slippage ; a productive act that yields new possibilities for becoming differently. This follow-up chapter reports data generated via a widened lens of slippage enacted by an expanded authorship team. In so doing, this chapter elicits an example of methodological and pedagogic interchange – with methodology and pedagogy mutually constituting each other, becoming metho-pedagogy. With a/r/tographic documentations of change occurring individually, collectively, and collaboratively, we propose slipperiness as a generative catalyst for change in pedagogic ways of knowing.
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Item'Kindness and empathy beyond all else': Challenges to professional identities of Higher Education teachers during COVID-19 times(SPRINGER, 2023-09)COVID-19 has continued to effect higher education globally in significant ways. During 2020, many institutions shifted learning online overnight as the sector closed its doors and opened new sites for remote teaching. This article reports on an international study [Phillips et al., 2021] that sought to capture how cross-sectoral teachers experienced these emergency changes during the first months of restrictions. The data, analysed using narrative identity theory, revealed concerns that fall into two broad categories: technologies and relationships. Significantly, it was not a loss of content delivery or changes to assessment that prompted the greatest anxiety for our colleagues, but that they held significant concerns about their students' mental health; inequities of access to a range of services including technological; and challenges connecting emotionally with their students at a distance. The results provide actionable strategies for higher education institutions to apply in future emergencies where remote teaching is necessary.
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ItemEncountering a Pedagogy of the World in a University Setting(Routledge, 2021)Taking up Biesta's (2019) notion of a pedagogy of the world, we ask: How might participating in an arts-based educational program with/in a university enable young people from schools with low Index of Community Socio-Educational Advantage (ICSEA) values to encounter the world of higher education differently and become different in that encounter? This chapter comes from our engagement with empirical material generated during a (post)qualitative inquiry into the pedagogy of The Art of Engagement—a multi-arts studio program involving relational pedagogy and a/r/tography as curriculum located in SPACE, 1 whereby secondary school students from schools in less socio-educationally advantaged communities came together with undergraduate university students for a five-day intensive within a University of Melbourne breadth subject. The program's rationale was to connect with secondary school arts students completing their schooling in lower ICSEA value schools 2 through the design of authentic university encounters with/in site, practices and communities. It welcomed the secondary school students into the world of our university and enhanced their capacity to “be at home” in this world, creating the conditions for considering and potentially living different post-school futures.