Faculty of Education - Research Publications
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ItemIn Jen’s Shoes – Looking Back to Look Forward: An Autoethnographic Account(Nova Southeastern University, 2019)This paper discusses the monumental events in my life that have shaped my two professional identities, teacher and researcher. I used autoethnography as a research methodology to traverse my personal life narratives across two different countries: Vietnam and Australia to seek and to examine my dual cultural identities, and how they shaped me. I am a passionate teacher who believes that teaching can change the world through the causes that I care about such as anti-racism and equity in education for students from all backgrounds. In this case study, data were collected by semi-structured interview and reflection on journals. Data were analysed using Interpretative Phenomenological Analysis. The findings are reported under four themes that reflected the stages of my life: designed in Vietnam, made in Australia was the first phase, growing up in Australia, my schooling years and professional years. By making sense of the narratives and involved, it helped me to understand myself better, who I am as a teacher and the causes that I believe in. As an Australian with hybrid cultural identities, I am the norm in contemporary culture.
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ItemNo Preview AvailableStepping Inside an English Classroom: Investigating the Everyday Experiences of an English Teacher(Taylor and Francis Group, 2018)This essay presents an English teacher’s inquiry into her professional practice in an institutional setting that is heavily regulated by standards-based reforms. Rather than something external to her, she sees those reforms as part of an internal conflict that affects her capacity to be fully responsive to her students. In dialogue with a colleague, she writes stories that reaffirm the deeply relational character of her work, both as an ethically responsive stance and as a means to understand the socially mediated character of her everyday world. She attempts to find alternative ways of seeing and accounting for her work than the reified mentality of standards-based reforms, positing a world that is relational, rather than compartmentalised, where our chief responsibility as teachers is to cultivate a sensitivity towards others around us, rather than continually being compelled to classify and judge them.
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ItemExploring the Self through Songwriting: An Analysis of Songs Composed by People with Acquired Neurodisability in an Inpatient Rehabilitation Program(Oxford University Press, 2017-03-01)Background: Neurological trauma is associated with significant damage to people’s pre-injury self-concept. Therapeutic songwriting has been linked with changes in self-concept and improved psychological well-being. Objective: This study analyzed the lyrics of songs composed by inpatients with neurological injuries who participated in a targeted songwriting program. The aim of this study was to understand which of the subdomains of the self-concept were the most frequently expressed in songs. Methods: An independent, deductive content analysis of 36 songs composed by 12 adults with spinal cord injury or brain injury (11 males, mean age 41 years +/– 13) were undertaken by authors 1 and 2. Results: Deductive analysis indicated that when writing about the past self, people created songs that reflected a strong focus on family and descriptions of their personality. In contrast, there is a clear preoccupation with the physical self, on the personal self, and a tendency for spiritual and moral reflections to emerge during the active phase of rehabilitation (song about the present self). Statistical analyses confirmed a significant self-concept subdomain by song interaction, F(10, 110) = 5.98, p < .001, ηp2 = .35), which was primarily due to an increased focus on physical self-concept and a reduced focus on family self-concept in the present song, more than in either past or future songs. Conclusions: The analysis process confirmed that songwriting is a vehicle that allows for exploration of self-concept in individuals with neurological impairments. Songwriting may serve as a therapeutic tool to target the most prevalent areas of self-concept challenges for clients undergoing inpatient neurological rehabilitation programs.
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ItemPersonal identity narratives of therapeutic songwriting participants following Spinal Cord Injury: A case series analysis(Taylor & Francis, 2018-07-04)Context/Objective: Spinal Cord Injury (SCI) patients face unique identity challenges associated with physical limitations, higher comorbid depression, increased suicidality and reduced subjective well-being. Post-injury identity is often unaddressed in subacute rehabilitation environments where critical physical and functional rehabilitation goals are prioritized. Therapeutic songwriting has demonstrated prior efficacy in promoting healthy adjustment and as a means of expression for post-injury narratives. The current study sought to examine the identity narratives of therapeutic songwriting participants. Design: Case-series analysis of the individual identity trajectories of eight individuals. Setting: Subacute rehabilitation facility, Victoria, Australia. Participants: Eight individuals with an SCI; 7 males and 1 female. Intervention: Six-week therapeutic songwriting intervention facilitated by a music therapist to promote identity rehabilitation. Outcome Measures: Identity, subjective well-being and distress, emotional state. Results: Three participants demonstrated positive trajectories and a further three showed negative trajectories; remaining participants were ambiguous in their response. Injury severity differentiated those with positive trajectories from those with negative trajectories, with greater injury severity apparent for those showing negative trends. Self-concept also improved more in those with positive trajectories. Core demographic variables did not however meaningfully predict the direction of change in core identity or wellbeing indices. Conclusion: Identity-focused songwriting holds promise as a means of promoting healthy identity reintegration. Further research on benefits for those with less severe spinal injuries is warranted.
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ItemNo Preview AvailableA therapeutic songwriting intervention to promote reconstruction of self-concept and enhance well-being following brain or spinal cord injury: pilot randomized controlled trial(SAGE PUBLICATIONS LTD, 2019-06)OBJECTIVE: To determine the size of the effects and feasibility (recruitment and retention rates) of a therapeutic songwriting protocol for in-patients and community-dwelling people with acquired brain injury or spinal cord injury. DESIGN: Randomized controlled trial with songwriting intervention and care-as-usual control groups, in a mixed measures design assessed at three time points. PARTICIPANTS: A total of 47 participants (3 in-patients with acquired brain injury, 20 community participants with acquired brain injury, 12 in-patients with spinal cord injury, and 12 community participants with spinal cord injury: 23 1208 days post injury). INTERVENTIONS: The intervention group received a 12-session identity-targeted songwriting programme, where participants created three songs reflecting on perceptions of past, present, and future self. Control participants received care as usual. MEASURES: Baseline, postintervention, and follow-up measures comprised the Head Injury Semantic Differential Scale (primary outcome measure), Patient Health Questionnaire-9, Emotion Regulation Questionnaire, and Satisfaction with Life Scale. RESULTS: No significant between group pre-post intervention differences were found on the primary self-concept measure, the Head Injury Semantic Differential Scale ( p = 0.38, d = 0.44). Significant and large effect sizes from baseline to post between groups in favour of the songwriting group for Satisfaction with Life ( p = 0.04, n2 p = 0.14). There were no significant between group pre-post interaction effects for the Emotion Regulation Suppression subscale ( p = 0.12, n2 p = -0.08) although scores decreased in the songwriting group over time while increasing for the standard care group. There were no significant differences in baseline to follow-up between groups in any other outcome measures. Recruitment was challenging due to the small number of people eligible to participate combined with poor uptake by eligible participants, particularly the in-patient group. Retention rates were higher for the community-dwelling cohorts. CONCLUSION: This study demonstrates the challenges in recruitment and retention of participants invited to participate in a music therapy study. Findings suggest this identity-focused therapeutic songwriting protocols may be more beneficial for people who have transitioned from in-patient to community-contexts given the greater proportion of participants who consent and complete the intervention. Preliminary effects in favour of the intervention group were detected in a range of well-being measures suggesting that a larger study is warranted.
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ItemUnderstanding sustainability in school arts provision: stakeholder perspectives in Australian primary schools(Routledge - Taylor & Francis, 2018)Although the notion of sustainability is popular in rhetoric associated with arts programmes in Australian schools, shared meanings are lacking. References to sustainability may be rooted in any combination of pragmatic, economic and/or health bases. We chose to investigate what stakeholders involved in the provision of school-based arts practices understood about the notion of sustainability in the specific context of those programmes. To do this we interviewed a range of school professionals and asked them to explain how sustainability related to arts programmes in their schools. In this article we present the particular elements that stakeholders described as being sustainable. Five categories emerged through inductive analysis that included: benefits for students, benefits for the schools, the arts programmes themselves, physical artefacts, and the capacity for schools to provide arts experiences. Notable were descriptions of sustainability from several schools that saw ongoing programmes as less important than brief arts experiences that students could carry into other areas of their life. Results illustrate the diversity of understandings about what should be sustained from arts engagement for 27 professionals in Australian Catholic Primary Schools. An ‘exposure’ model of arts programmes is articulated that captures the sustainable benefits beyond sustained involvement in and provision of arts programmes in primary schools.
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ItemArts programs in schools : Seven models and a decision-making matrix for school leaders(Australian Council for Educational Leaders, 2019-09-01)The provision of arts programs in Australian schools is diverse. Studies of music have shown that the quality of music education in private schools is high and well resourced, but in government-funded schools there is greater variation with schools in some states offering little to no embedded programs. Because the arts are not considered core, school leaders have the freedom and responsibility to determine how much, how often, and what kinds of programs should be offered. Without mandated guidelines, our research shows that this is often influenced by leaders' personal experiences of music in their history or family context. School leaders have also described needing to overcome significant barriers in order to justify the provision of programs. Further complicating the picture are the varying views held by school leaders and staff about exactly which benefits arts programs afford. While most agree on the intrinsic value related to artistic skills and creativity more generally, some are less sure about additional benefits such as psychosocial wellbeing benefits or community building, with a diversity of perspectives also reflected in policy documents.
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ItemNo Preview AvailableSpatial reasoning and mathematics in early childhood education(Early Childhood Australia Inc, 2017)Spatial reasoning is a set of cognitive functions, processes and skills that enable us to understand and describe representations and spatial relationships between objects, ourselves and our environment—it is a life skill. Spatial reasoning is at the core of mathematical thinking. There are three key areas of spatial reasoning associated with mathematics ability in early childhood: perspective taking, mental rotation and spatial visualisation.
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ItemNo Preview AvailablePositive early childhood education: Expanding the reach of positive psychology into early childhood(National Wellbeing Service, 2017)There are inherent links between early childhood educational theory and practice and the science of positive psychology. Opportunities exist for the implementation of positive psychology interventions and the harnessing of synergies between early childhood services and global pedagogies (such as the Reggio Emilia approach and Nature pedagogy), yet they currently lack articulation, connection and application. Early childhood history, theory and practice recognise child wellbeing as complementary to education and both educator and child wellbeing are critical for the delivery of quality early childhood education services. Globally there exists regulation, pedagogy, standards and learning and development frameworks that mandate a focus on wellbeing but provide the profession with little to no tools, training or interventions in the science of wellbeing. Future directions for research into the rich connectivity of positive psychology and early childhood education are called for. Identification, design and implementation of positive psychology interventions (PPIs) along with training of educators and educational leaders in the science of wellbeing (for themselves and their students) is timely and required.
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ItemWhat Videogames have to Teach Us (Still) about Subject English(Australian Association for the Teaching of English, 2018)This paper reports on a participatory action research project which used videogames as the central texts for play and study in a middle-years English classroom in Australia. Ongoing questions about the nature of subject English have often focused on the discipline's ability to accommodate twenty-first century literacies. Videogames, as increasingly popular and digital forms of texts, are often praised for their ability to engage students (Gee, 2003), yet less is understood about the pedagogies necessary to enable the rigorous study of these texts in classroom contexts. This study found while that existing conceptual and pedagogic models of subject English can be adopted and adapted to suit the unique affordances of this text type, issues associated with play and interactivity complicate the use of videogames in the classroom. It offers a new contribution to the evolving field of study associated with games as texts (Beavis, Dezuanni, and O'Mara, 2017). The study has implications for those seeking to engage more closely with students' textual worlds but unsure of how to negotiate videogames' intrinsic textual features