“In Passing”: a model for exploring space in ECM recordings
AffiliationSchool of Contemporary Music
Document TypeMasters Research thesis
Access StatusThis item is currently not available from this repository
© 2016 Jonathan Paterson
This research explores virtual spatial constructs in the recording process to illuminate the experience of improvising as the characteristics of spatial perception change. The inquiry is motivated by two research questions; a) does the experience of acoustic space shape the process of improvisation and; b) did the experience of acoustic space play a role in shaping the sound associated with the record label ECM?
KeywordsECM; space; improvisation
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