Reframing tradition: renegotiating flamenco dance within contemporary contexts

‘Reframing Tradition: Renegotiating Flamenco Dance within Contemporary Contexts’, is a practice-led inquiry undertaken between 2014 – 2016 at the Victorian College of the Arts as a Master of Fine Arts (Dance) by research. There are two parts of the research: a creative performance work and a dissertation. ‘Fragmentos’ (58 min) was performed to a live audience from 9Th – 12Th December 2015 at the Grant Street Theatre, Southbank. A documented record of this event is complementary to this written dissertation. This practice-led research explores first hand the underlying qualities and values within a traditional embodied form and their presence and transformation in contemporary performance settings. Such a process references my individual perspective gained through my experience of dancing flamenco, together with the understanding I have acquired of the theoretical, ideological and historical values embedded in the dance aspect of the form. Alongside this I explore other multidisciplinary approaches to making work that includes foregrounding somatic practice and dramaturgical awareness. By setting up a middle ground where the potential of the transformative process of traditional form to contemporary adaption meet, the creative aspect explores the reflexive relationship and uncovers the latent and the unfulfilled potential of both. The written outcome reviews the convergence of these practices through the practitioner (self), and evaluates the potential of meaning that transpires from it. Coincidently this research has intersected with the impact of my father’s state of decline, diagnosed with the crippling disease of dementia that has ironically energised the essence of these investigations.

Keywords

dance, flamenco, dramaturgy, contemporary performance, somatic movement, traditional form

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