The remains of decay: composing auditory afterimages
AffiliationMelbourne Conservatorium of Music
Document TypePhD thesis
Access StatusThis item is embargoed and will be available on 2020-06-18. This item is currently available to University of Melbourne staff and students only, login required.
© 2018 Dr. David Chisholm
This autoethnographic critical exploration reflects on an accompanying folio of music compositions created between early 2013 and late 2016: Suite from The Bloody Chamber for three harps, Rung for electric guitar, contrabass recorder, violin, double bass and sensor-triggered bells, extracts from The Experiment: a musical monodrama; bound south for string quartet and Harp Guitar Double Concerto for two soloists and chamber orchestra. A post-structuralist reading reveals an emergent philosophical and practice preoccupation with the sonic phenomenon of the auditory afterimage.
Keywordsmusic; composition; hermeneutics; autoethnography
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