The remains of decay: composing auditory afterimages
AffiliationMelbourne Conservatorium of Music
Document TypePhD thesis
Access StatusOpen Access
© 2018 Dr. David Chisholm
This autoethnographic critical exploration reflects on an accompanying folio of music compositions created between early 2013 and late 2016: Suite from The Bloody Chamber for three harps, Rung for electric guitar, contrabass recorder, violin, double bass and sensor-triggered bells, extracts from The Experiment: a musical monodrama; bound south for string quartet and Harp Guitar Double Concerto for two soloists and chamber orchestra. A post-structuralist reading reveals an emergent philosophical and practice preoccupation with the sonic phenomenon of the auditory afterimage.
Keywordsmusic; composition; hermeneutics; autoethnography
- Click on "Export Reference in RIS Format" and choose "open with... Endnote".
- Click on "Export Reference in RIS Format". Login to Refworks, go to References => Import References