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dc.contributor.authorRaines, Sam
dc.date.accessioned2018-12-14T03:35:46Z
dc.date.available2018-12-14T03:35:46Z
dc.date.issued2018en_US
dc.identifier.urihttp://hdl.handle.net/11343/219347
dc.description© 2018 Sam Raines
dc.description.abstractThis practice-led research investigates and discusses the terms and applications of ‘feel’ and ‘time’ in acoustic drumming, and through various performance settings I break down and examine how these phenomena exist within my performance. Topics of this research include feel, time, groove, improvisation, pulse, liveness, and motif, all of which are looked at through the various effects they can have on performance. This dissertation includes both written and recorded documentation of my own performances, as well as drawing on sources of information such as music notation (transcriptions), sound waves, various publications, liner notes and experiential descriptions of each performance setting. The creative works presented in this research are made up of various recorded performances, which can be identified in the ‘List of Embedded Audio’. As sections of this dissertation are based on specific recordings, the relevant audio is also listed within the text. This should allow the reader to listen to each recorded performance before or after the relevant section is read. Each recorded work for this research is presented in an mp3 format.en_US
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dc.subjectmusic performanceen_US
dc.subjectacoustic drummingen_US
dc.subjectdrum kit performanceen_US
dc.subjectfeelen_US
dc.subjectgrooveen_US
dc.subjecttimeen_US
dc.subjectimprovisationen_US
dc.titleThe essence of performance on the acoustic drum kit: a study of feelen_US
dc.typeMasters Research thesisen_US
melbourne.affiliation.departmentMelbourne Conservatorium of Music
melbourne.affiliation.facultyFine Arts and Music
melbourne.thesis.supervisornameGeoff Hughes
melbourne.contributor.authorRaines, Sam
melbourne.accessrightsOpen Access


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