Naked awareness: the private performance of inscribing skin

Abstract

This practice-led research reflects upon the testimonies and engagement of participants and audience in my art practice, The Letting Go, which is performed both privately and in galleries and is informed by the intersections of visual art, psychotherapy, somatic practices, Buddhism and ritual tattooing. Drawing on my experiences, private sessions and participatory performances the thesis asks the question: Can this practice inform a new social practice for artists - a “private practice” model that collaboratively addresses shared vulnerability and self-awareness?