| dc.contributor.author | Dahlgaard, Søren | |
| dc.date.accessioned | 2019-07-31T01:45:56Z | |
| dc.date.available | 2019-07-31T01:45:56Z | |
| dc.date.issued | 2019 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11343/226865 | |
| dc.description | © 2019 Dr. Søren Dahlgaard | |
| dc.description.abstract | The practice-led project Sculpture as Activating Object, which has developed over three years, 2015-2018, investigates how a sculptural object activates a process of transformation through play. Sculpture activating describes how the process itself becomes the artwork. Through the investigation of three artwork case studies produced for this project, this thesis examines the different outcomes generated by the art objects and speculates that sculpture as activating object is a new category within the field of contemporary action-sculpture. | en_US |
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| dc.subject | sculpture | en_US |
| dc.subject | action-sculpture | en_US |
| dc.subject | socially engaged art | en_US |
| dc.subject | environmental art | en_US |
| dc.subject | land art | en_US |
| dc.subject | process | en_US |
| dc.subject | collaboration | en_US |
| dc.subject | iterations | en_US |
| dc.subject | audience participation | en_US |
| dc.title | Sculpture as activating object | en_US |
| dc.type | PhD thesis | en_US |
| melbourne.affiliation.department | School of Art | |
| melbourne.affiliation.faculty | Fine Arts and Music | |
| melbourne.thesis.supervisorname | Barbara Bolt | |
| melbourne.contributor.author | Dahlgaard, Søren | |
| melbourne.accessrights | Open Access | |
