dc.contributor.author | Draffin, Robert | |
dc.date.accessioned | 2019-08-15T03:34:47Z | |
dc.date.available | 2019-08-15T03:34:47Z | |
dc.date.issued | 2018 | en_US |
dc.identifier.uri | http://hdl.handle.net/11343/227107 | |
dc.description | © 2018 Dr. Robert Draffin | |
dc.description.abstract | In this personal case study, I offer an emergent embodied practice derived from a distinct fusion of Asian theatre practices (Chinese-Japanese) and Australian training. Using the principles of Jo Ha Kyu [Ma], I construct and apply an interpretive-analytical framework to describe and map out the interrelated evolutions of productions, pedagogy, and personal events. Eschewing a curatorial narrative, I instead engage experientially in this autobiographical retrospection purposely immersing myself in a construction of five memory rooms, generating ongoing pedagogy, and exploring an embodied research methodology for a performing arts-based Higher Doctorate. | en_US |
dc.rights | Terms and Conditions: Copyright in works deposited in Minerva Access is retained by the copyright owner. The work may not be altered without permission from the copyright owner. Readers may only download, print and save electronic copies of whole works for their own personal non-commercial use. Any use that exceeds these limits requires permission from the copyright owner. Attribution is essential when quoting or paraphrasing from these works. | |
dc.subject | Asian traditional theatre | en_US |
dc.subject | contemporary actor training pedagogy | en_US |
dc.title | Mind the gap: Jo Ha Kyu [Ma] and the missing teeth: evolutionary practice based on a somatic embodied unfolding of productions, pedagogy and personal events | en_US |
dc.type | Doctorate | |
melbourne.affiliation.department | Fine Arts and Music Collected Works | |
melbourne.affiliation.faculty | Fine Arts and Music | |
melbourne.thesis.supervisorname | Zachary Dunbar | |
melbourne.contributor.author | Draffin, Robert | |
melbourne.accessrights | Open Access | |