Problematizing Sound Methods Through Music Research-Creation: Oblique Curiosities
AuthorBen Shannon, D; Truman, SE
Source TitleInternational Journal of Qualitative Methods
PublisherSAGE PUBLICATIONS INC
University of Melbourne Author/sTruman, Sarah
AffiliationMelbourne Graduate School of Education
Document TypeJournal Article
CitationsBen Shannon, D. & Truman, S. E. (2020). Problematizing Sound Methods Through Music Research-Creation: Oblique Curiosities. INTERNATIONAL JOURNAL OF QUALITATIVE METHODS, 19, https://doi.org/10.1177/1609406920903224.
Access StatusOpen Access
In this article, we take up feminist new materialist thought in relation to our music research-creation practice to problematize the white, en/abled, cis-masculine, and Euro-Western methodological orientation often inherited with sound methods. We think with our music research-creation practice to activate a feminist new materialist politics of approach, unsettling sound studies’ inheritances that seek to separate, essentialize, naturalize/neutralize, capture, decontextualize, and re-present. We unsettle these inheritances with six propositions: imbricate, stratify, provoke, inject, contextualize, and more-than-represent. These propositions, and this article’s uptake of research-creation, hold implications for scholars interested in critically enacting sound studies research as well as qualitative and post qualitative research in general.
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