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dc.contributor.authorNicholls, M
dc.date.available2014-05-21T18:55:08Z
dc.date.issued2004-09-01
dc.identifierhttp://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000224724500003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=d4d813f4571fa7d6246bdc0dfeca3a1c
dc.identifier.citationNicholls, M. (2004). The 'age of innocence'. FILM QUARTERLY, 58 (1), pp.25-35. https://doi.org/10.1525/fq.2004.58.1.25.
dc.identifier.issn0015-1386
dc.identifier.urihttp://hdl.handle.net/11343/25233
dc.descriptionC1 - Journal Articles Refereed
dc.description.abstractAbstract Through an analysis of Martin Scorsese's The Age of Innocence, this article proposes a psychoanalytically based theory of male melancholia. Grounded in the cultural ambiguities of loss and masculinity, melancholia is revealed as an essential tool for reading Scorsese's film and for understanding representations of male desire in the cinema.
dc.formatapplication/pdf
dc.languageEnglish
dc.publisherUNIV CALIF PRESS
dc.subjectCinema Studies ; Culture
dc.subjectGender
dc.subjectSexuality; The Creative Arts; Studies in Human Society
dc.titleThe 'age of innocence'
dc.typeJournal Article
dc.identifier.doi10.1525/fq.2004.58.1.25
melbourne.peerreviewPeer Reviewed
melbourne.affiliationThe University of Melbourne
melbourne.affiliation.departmentArt History, Cinema, Classics And Archeology
melbourne.source.titleFilm Quarterly
melbourne.source.volume58
melbourne.source.issue1
melbourne.source.pages25-35
melbourne.publicationid33138
melbourne.elementsid266937
melbourne.contributor.authorNicholls, Mark
melbourne.internal.ingestnoteAbstract bulk upload (2017-07-20)
dc.identifier.eissn1533-8630
melbourne.accessrightsThis item is currently not available from this repository


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