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dc.contributor.authorHOORN, JJ
dc.date.available2014-05-21T18:55:11Z
dc.date.issued2005
dc.identifier.citationHOORN, J. J. (2005). Julie Dowling's Strange Fruit: Testimony and the Uncanny in Contemporary Australian Painting. Third Text, 19 (3), pp.283-296. https://doi.org/10.1080/09528820500049395.
dc.identifier.issn0952-8822
dc.identifier.urihttp://hdl.handle.net/11343/25236
dc.descriptionC1 - Journal Articles Refereed
dc.formatapplication/pdf
dc.languageen
dc.publisherTaylor & Francis (Routledge)
dc.subjectArt History and Appreciation ; The Creative Arts; Aboriginal and Torres Strait Islander Heritage
dc.titleJulie Dowling's Strange Fruit: Testimony and the Uncanny in Contemporary Australian Painting
dc.typeJournal Article
dc.identifier.doi10.1080/09528820500049395
melbourne.peerreviewPeer Reviewed
melbourne.affiliationThe University of Melbourne
melbourne.affiliation.departmentArt History, Cinema, Classics And Archeology
melbourne.source.titleThird Text
melbourne.source.volume19
melbourne.source.issue3
melbourne.source.pages283-296
melbourne.publicationid40154
melbourne.elementsid270444
melbourne.contributor.authorHoorn, Jeanette
dc.identifier.eissn1475-5297
melbourne.accessrightsThis item is currently not available from this repository


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