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    Lay Concepts of Art, Craft, and Manufacture and the Implications for Sustainable Consumption

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    Author
    Judge, M; Fernando, JW; Paladino, A; Mikolajczak, G; Kashima, Y
    Date
    2020-03-01
    Source Title
    Journal of Social Issues
    Publisher
    Wiley
    University of Melbourne Author/s
    Paladino, Angela; Judge, Madeline; Fernando, Julian; Kashima, Yoshihisa; Mikolajczak, Malgorzata
    Affiliation
    Melbourne School of Psychological Sciences
    Management and Marketing
    School of Social and Political Sciences
    Metadata
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    Document Type
    Journal Article
    Citations
    Judge, M., Fernando, J. W., Paladino, A., Mikolajczak, G. & Kashima, Y. (2020). Lay Concepts of Art, Craft, and Manufacture and the Implications for Sustainable Consumption. Journal of Social Issues, 76 (1), pp.19-34. https://doi.org/10.1111/josi.12368.
    Access Status
    This item is embargoed and will be available on 2021-01-29
    URI
    http://hdl.handle.net/11343/252744
    DOI
    10.1111/josi.12368
    Abstract
    An object's creation history plays an important role in how we perceive, value, and interact with that object, and has consequences for policy on sustainable consumption. Here, we propose that laypeople in industrialized societies have three dominant concepts of how objects can be created: art, craft, and manufacture. These concepts are differentiated by the perceived properties and environmental sustainability of objects, as well as the perceived capabilities of producers. In three experiments, we examined the consequences of framing an object's creation history as art, craft, or manufacture. In general, art and craft objects were valued more highly than manufactured objects, and this effect was partially mediated by the perceived transfer of positive emotional residue. Mass‐produced goods may be treated as disposable consumables, whereas arts and crafts are more deserving of preservation. That this effect was stronger in Australia than China suggests that these effects may be related to a postmaterialist orientation.

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