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    Enthroned Upon Mountains: Constructions of Power in the Aegean Bronze Age

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    Author
    Tully, C; Crooks, S
    Editor
    Naeh, L; Brostowsky Gilboa, D
    Date
    2020
    Source Title
    The Ancient Throne: The Mediterranean, Near East, and Beyond, from the 3rd Millennium BCE to the 14th Century CE
    Publisher
    Austrian Academy of Sciences Press
    University of Melbourne Author/s
    Tully, Caroline
    Affiliation
    School of Historical and Philosophical Studies
    Metadata
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    Document Type
    Chapter
    Citations
    Tully, C. & Crooks, S. (2020). Enthroned Upon Mountains: Constructions of Power in the Aegean Bronze Age. Naeh, L (Ed.). Brostowsky Gilboa, D (Ed.). The Ancient Throne: The Mediterranean, Near East, and Beyond, from the 3rd Millennium BCE to the 14th Century CE, (First), pp.37-59. Austrian Academy of Sciences Press.
    Access Status
    Open Access
    URI
    http://hdl.handle.net/11343/252777
    Abstract
    The Bronze Age Aegean lacks a clearly discernible iconography of rulership, permitting widely contrasting speculation on the character of Minoan society – that it was egalitarian, heterarchical, gynocratic or a theocracy overseen by priest-kings. That elites did exist is amply attested by mortuary, iconographic and architectural evidence, including the Throne Room of the Late Minoan palace at Knossos in which a centrally oriented throne with a mountain-shaped back is incorporated into the architectural fabric of the room. Iconographic representations of human figures holding sceptres and standing upon mountains as well as evidence for the increased palatial control of cultic activity at rural peak sanctuaries during the Neopalatial Period (1750–1490 BCE) emphasise an association between rulership and the mountainous landscape. Close analysis of seated figures within Minoan iconography reveals architectonic parallels to the Knossian Throne. Stepped structures, typically surmounted by seated female figures, function as abstract representations of the mountain form. It will be argued here that literal and metaphoric representations of mountain thrones in the form of the Knossos Throne and stepped structures function within an ideological program associating rulership with the natural landscape, thereby offering new insights into the construction of power in the Aegean Bronze Age.

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