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dc.contributor.authorCOLMAN, FJ
dc.contributor.authorMCCREA, CH
dc.date.available2014-05-21T18:55:53Z
dc.date.issued2005
dc.identifier.citationCOLMAN, F. J. & MCCREA, C. H. (2005). Gestures Towards the Digital Maypole. Fibreculture Journal, 6, pp.1-5
dc.identifier.urihttp://hdl.handle.net/11343/25283
dc.descriptionC1 - Journal Articles Refereed
dc.descriptionDeposited with permission of Fibreculture Journal
dc.description.abstractTo paraphrase Blanchot: We are not learned; we are not ignorant. We have known joys. That is saying too little: We are alive, and this life gives us the greatest pleasure. The intensities afforded by mobile communication can be thought of as an extension of the styles and gestures already materialised by multiple maypole cultures, pre-digital community forms and the very clustered natures of speech and being. In his Critique of Judgment, Kant argues that the information selection process at the heart of communication is one of the fundamental activities of any aesthetically produced knowledge form. From this radial point, "Gestures Towards The Digital Maypole" begins the process of reorganising conceptions of modalities of communication around the absent centre and the affective realms that form through the movement of information-energy, like sugar in a hurricane.
dc.publisherOpen Humanities Press
dc.subjectCinema Studies ; Arts and Leisure not elsewhere classified
dc.titleGestures Towards the Digital Maypole
dc.typeJournal Article
melbourne.peerreviewPeer Reviewed
melbourne.affiliationThe University of Melbourne
melbourne.affiliation.departmentArt History, Cinema, Classics And Archeology
melbourne.source.titleFibreculture Journal
melbourne.source.volume6
melbourne.source.pages1-5
dc.research.coderfcd410302
dc.research.codeseo1998750299
melbourne.publicationid45108
melbourne.elementsid274859
melbourne.contributor.authorCOLMAN, FELICITY
melbourne.contributor.authorMCCREA, CHRISTIAN HENRY
dc.identifier.eissn1449-1443
melbourne.accessrightsOpen Access


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