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    Sick Returnees among China’s Sent-Down Youth and Contemporary Chinese Practices of Identity Performance

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    Author
    Gao, J
    Date
    2021-01-14
    Source Title
    East Asia: an international quarterly
    Publisher
    Springer Science and Business Media LLC
    University of Melbourne Author/s
    Gao, Jia
    Affiliation
    Asia Institute
    Metadata
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    Document Type
    Journal Article
    Citations
    Gao, J. (2021). Sick Returnees among China’s Sent-Down Youth and Contemporary Chinese Practices of Identity Performance. East Asia, pp.1-18. https://doi.org/10.1007/s12140-020-09351-w.
    Access Status
    This item is currently not available from this repository
    URI
    http://hdl.handle.net/11343/258696
    DOI
    10.1007/s12140-020-09351-w
    Abstract
    China’s first cohort of the sent-down youth during the Cultural Revolution has since its early years attracted considerable research interest and been analysed from a few different viewpoints. However, the gradual retreat from executing the sent-down policy, especially bingtui (return to urban centres of origin because of medical reasons) as the then widely used tactic, and its long-term impact on people’s socio-political attitudes and behaviours have not been examined and evaluated adequately. This has resulted in a large discrepancy between the non-academic discourse of returning sent-down youth, including bingtui, and the academic literature on these aspects in both Chinese and English. As revealed by many non-academic publications, bingtui not only represented the emergence of a widespread popular resistance to the Maoist Cultural Revolution that involved mobilising those who were then sent to the countryside, but was also believed to be responsible for a surge in what has since become known as songli feng (a wave of gift-giving practice). Based on the information recorded in published personal memories of many sent-down youth and other published accounts, online and print, as well as the information collected from my own past observations and recent interviews, this article will go beyond both glowing and condemnatory documentations of the sent-down movement of the late 1960s and 1970s and seek to analyse how bingtui was started, how it was utilised by sent-down youth and their families and, importantly, how it had led more Chinese people to realise that certain aspects of their identity could be performed.

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