“Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana

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Author
Lori, L; d'Arcangeli, LDate
2020Source Title
Flinders University Languages Group Online ReviewPublisher
Flinders University, Adelaide, AustraliaUniversity of Melbourne Author/s
Lori, LauraAffiliation
School of Languages and LinguisticsMetadata
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Journal ArticleCitations
Lori, L. & d'Arcangeli, L. (2020). “Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana. FULGOR - Flinders University Languages Group Online Review, 6 (2)Access Status
Open AccessOpen Access URL
https://b15980e8-6bdb-4bef-9b6e-edb114cdbf7d.filesusr.com/ugd/7fbb78_f0f33f383aa046819d2fb054a0d8bf11.pdfAbstract
The article explores the movie’s missed opportunity of the movie "Bianco e Nero" to start a new decolonised and decolonising era of the Italian
Cinema through the analysis of two key symbols, the Barbie doll and the Trevi Fountain.
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