“Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana

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    Author
    Lori, L; d'Arcangeli, L
    Date
    2020
    Source Title
    Flinders University Languages Group Online Review
    Publisher
    Flinders University, Adelaide, Australia
    University of Melbourne Author/s
    Lori, Laura
    Affiliation
    School of Languages and Linguistics
    Metadata
    Show full item record
    Document Type
    Journal Article
    Citations
    Lori, L. & d'Arcangeli, L. (2020). “Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana. FULGOR - Flinders University Languages Group Online Review, 6 (2)
    Access Status
    Open Access
    URI
    http://hdl.handle.net/11343/260517
    Open Access URL
    https://b15980e8-6bdb-4bef-9b6e-edb114cdbf7d.filesusr.com/ugd/7fbb78_f0f33f383aa046819d2fb054a0d8bf11.pdf
    Abstract
    The article explores the movie’s missed opportunity of the movie "Bianco e Nero" to start a new decolonised and decolonising era of the Italian Cinema through the analysis of two key symbols, the Barbie doll and the Trevi Fountain.

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