“Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana

dc.contributor.author	Lori, L
dc.contributor.author	d'Arcangeli, L
dc.date.accessioned	2021-02-10T05:04:44Z
dc.date.available	2021-02-10T05:04:44Z
dc.date.issued	2020
dc.identifier.citation	Lori, L. & d'Arcangeli, L. (2020). “Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana. FULGOR - Flinders University Languages Group Online Review, 6 (2), pp.1-16
dc.identifier.issn	1446-9219
dc.identifier.uri	http://hdl.handle.net/11343/260517
dc.description.abstract	The article explores the movie’s missed opportunity of the movie "Bianco e Nero" to start a new decolonised and decolonising era of the Italian Cinema through the analysis of two key symbols, the Barbie doll and the Trevi Fountain.
dc.language	Italian
dc.publisher	Flinders University, Adelaide, Australia
dc.title	“Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana
dc.type	Journal Article
melbourne.affiliation.department	School of Languages and Linguistics
melbourne.source.title	Flinders University Languages Group Online Review
melbourne.source.volume	6
melbourne.source.issue	2
melbourne.source.pages	1-16
melbourne.elementsid	1479446
melbourne.openaccess.url	https://b15980e8-6bdb-4bef-9b6e-edb114cdbf7d.filesusr.com/ugd/7fbb78_f0f33f383aa046819d2fb054a0d8bf11.pdf
melbourne.openaccess.status	Published version
melbourne.contributor.author	Lori, Laura
melbourne.accessrights	Open Access