Show simple item record

dc.contributor.authorLori, L
dc.contributor.authord'Arcangeli, L
dc.date.accessioned2021-02-10T05:04:44Z
dc.date.available2021-02-10T05:04:44Z
dc.date.issued2020
dc.identifier.citationLori, L. & d'Arcangeli, L. (2020). “Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana. FULGOR - Flinders University Languages Group Online Review, 6 (2), pp.1-16
dc.identifier.issn1446-9219
dc.identifier.urihttp://hdl.handle.net/11343/260517
dc.description.abstractThe article explores the movie’s missed opportunity of the movie "Bianco e Nero" to start a new decolonised and decolonising era of the Italian Cinema through the analysis of two key symbols, the Barbie doll and the Trevi Fountain.
dc.languageItalian
dc.publisherFlinders University, Adelaide, Australia
dc.title“Bianco e nero”, gli inizi della decolonizzazione della commedia romantica italiana
dc.typeJournal Article
melbourne.affiliation.departmentSchool of Languages and Linguistics
melbourne.source.titleFlinders University Languages Group Online Review
melbourne.source.volume6
melbourne.source.issue2
melbourne.source.pages1-16
melbourne.elementsid1479446
melbourne.openaccess.urlhttps://b15980e8-6bdb-4bef-9b6e-edb114cdbf7d.filesusr.com/ugd/7fbb78_f0f33f383aa046819d2fb054a0d8bf11.pdf
melbourne.openaccess.statusPublished version
melbourne.contributor.authorLori, Laura
melbourne.accessrightsOpen Access


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record