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dc.contributor.authorPlesch, M
dc.date.available2014-05-21T23:44:45Z
dc.date.issued2009-09-01
dc.identifierhttp://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000273862600004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=d4d813f4571fa7d6246bdc0dfeca3a1c
dc.identifier.citationPlesch, M. (2009). The Topos of the Guitar in Late Nineteenth- and Early Twentieth-Century Argentina. MUSICAL QUARTERLY, 92 (3-4), pp.242-278. https://doi.org/10.1093/musqtl/gdp016.
dc.identifier.issn0027-4631
dc.identifier.urihttp://hdl.handle.net/11343/29801
dc.languageEnglish
dc.publisherOXFORD UNIV PRESS INC
dc.subjectPerforming Arts and Creative Writing
dc.titleThe Topos of the Guitar in Late Nineteenth- and Early Twentieth-Century Argentina
dc.typeJournal Article
dc.identifier.doi10.1093/musqtl/gdp016
melbourne.peerreviewPeer Reviewed
melbourne.affiliationThe University of Melbourne
melbourne.affiliation.departmentMelbourne Conservatorium of Music
melbourne.source.titleMUSICAL QUARTERLY
melbourne.source.volume92
melbourne.source.issue3-4
melbourne.source.pages242-278
dc.description.pagestart242
melbourne.publicationid166648
melbourne.elementsid336909
melbourne.contributor.authorPlesch, Melanie
dc.identifier.eissn1741-8399
melbourne.accessrightsThis item is currently not available from this repository


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