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dc.contributor.authorSELLECK, JM
dc.contributor.editorMACKINLAY, EB
dc.contributor.editorOWENS, S
dc.contributor.editorCOLLINS, D
dc.date.available2014-05-21T23:46:23Z
dc.date.issued2005
dc.identifier.citationSELLECK, J. M. (2005). Opening Pandora's box: role and representation in music criticism in late nineteenth-century Melbourne. MACKINLAY, EB (Ed.). OWENS, S (Ed.). COLLINS, D (Ed.). Aesthetics and Experience in Music Performance, (1), pp.281-294. Cambridge Scholars Press.
dc.identifier.isbn1904303501
dc.identifier.urihttp://hdl.handle.net/11343/29816
dc.publisherCambridge Scholars Press
dc.subjectPerforming Arts and Creative Writing
dc.titleOpening Pandora's box: role and representation in music criticism in late nineteenth-century Melbourne
dc.typeChapter
melbourne.peerreviewPeer Reviewed
melbourne.affiliationThe University of Melbourne
melbourne.affiliation.departmentMusic
melbourne.source.titleAesthetics and Experience in Music Performance
melbourne.source.pages281-294
dc.description.sourceedition1
melbourne.publicationid45151
melbourne.elementsid274902
pubs.edition1
melbourne.contributor.authorSelleck, Johanna
melbourne.accessrightsThis item is currently not available from this repository


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