Through a feature-length screenplay and accompanying dissertation this creative practice as research project addresses questions of biopolitics, women’s rights and reproductive justice. The research focuses on my own ...

This project asks how blindness can inform art writing practice to bridge an experiential gap between sighted and non-sighted art audiences. Initially focussed on reducing cultural isolation and increasing inclusion in ...

This thesis builds upon Homi Bhabha’s concept of Third Space to frame social connection and self-determination in a socially-engaged collaborative painting practice. Developed in the Polynesian kingdom of Tonga with On ...

“Material Matters at the Coalface” questions our human relationships with geological matter through a socially-engaged art enquiry into the politics of coal, space and place. Activating coal as “vibrant matter”, this ...

This thesis investigates the specific conflicts and contexts that produced East Timor’s fledgling graffiti between 2004-2008 to demonstrate links between its local lineage and a globally contextualised backdrop. It is ...

The purpose of this thesis is to expand existing literature concerning the hurdy-gurdy as a contemporary musical instrument. Notably, it addresses the lack of hurdy-gurdy literature in the context of contemporary composition ...

This practice-based creative PhD project consists of a 135-minute PhD essay film and a context-driven dissertation, to demonstrate a research outcome for a relational, non-duality, improvisational, reflexive and formless ...

This creative practice research concerns reflexivity, collaboration and ethics in authored documentary filmmaking—with a focus on the filmmaker-participant relationship. The written thesis provides a first-hand account and ...

This thesis is an exploration of the non-representational geographies of therapeutic art making, drawing on practice-led research methods from the creative arts. It is, therefore, interdisciplinary. The work comprises ...

This practice-led research is a methodological enquiry into my community-based art practice A Non-Predefined Outcome (ANPO). This was originally developed as a participatory art project to generate culturally safe spaces ...