This interdisciplinary, art-practice led research explores the relationship between art and questions of awareness, guilt and racism towards Indigenous people in this country. It asks how an art practice can help facilitate ...

This autoethnographic critical exploration reflects on an accompanying folio of music compositions created between early 2013 and late 2016: Suite from The Bloody Chamber for three harps, Rung for electric guitar, contrabass ...

'Agency and affect: curating political change' is a practice-led research project that considers the relationship of art to political change, and the critical possibilities for agency in this relationship. To establish ...

This practice-based research asks how failure can be harnessed as a generative tool for locating, articulating and extending creative capacity in Assisted Solo music-dance collaboration. Throughout this research, the term ...

In their three 'Memories of a Sorcerer' passages in 'A Thousand Plateaus', Gilles Deleuze and Félix Guattari identify as sorcerers instead of as philosophers, and draw a line between the practice of sorcery and writing ...

This art practice-led project re-examines traditional images of the maternal body in Christian visual culture in order to generate new motifs that more ethically imagine the mother and the sacred for our time. Traditionally, ...

The seam is the principal construction technique employed by the contemporary fashion industry. It produces both garments and, in turn, the semiotic or fashioned body. The implications of the semiotic relationship - between ...

In 2003, upon the death of my father, I found four letters. Three were written by my grandmother – a woman I never knew and who was rarely spoken about – and the other recounted the events that led to her deportation and ...

This research project is concerned with ‘the untranslatable', which I identify as that which, in art, resists translation into everyday language yet touches me lovingly and truthfully. Through a manner of ‘poetic translation’ ...

The purpose of this thesis is to expand existing literature concerning the hurdy-gurdy as a contemporary musical instrument. Notably, it addresses the lack of hurdy-gurdy literature in the context of contemporary composition ...