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dc.contributor.authorWILKEN, ROWANen_US
dc.date.accessioned2014-05-22T09:21:16Z
dc.date.available2014-05-22T09:21:16Z
dc.date.issued2005en_US
dc.date.submitted2007-11-07en_US
dc.identifier.citationWilken, R. (2005). Evolutions of Lascaux. In T. Heyd & J. Clegg (Eds.), Aesthetics and rock art (pp. 177-189). Ashgate.en_US
dc.identifier.urihttp://hdl.handle.net/11343/33530
dc.descriptionThis is a pre-print version of a chapter in [Aesthetics and rock art published by Ashgate. The definitive version of this chapter is available at http://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=9287&edition_id=12354en_US
dc.description.abstractThis paper charts the evolutions of the Lascaux cave in its various manifestations from the ‘original’ rock art discovered in 1940 to the replica construction ‘Lascaux II’ and a recent travelling exhibition ‘Virtual Lascaux’. The discussion briefly outlines these evolutions and then, employing the notion of the ‘hyperreal’ and the ‘simulacrum’, examines them and the paradoxical nature of ‘copies’ of an ‘original’ work of rock art.en_US
dc.formatapplication/pdfen_US
dc.languageengen_US
dc.publisherAshgateen_US
dc.subjectprehistoric arten_US
dc.subjectpetroglyphsen_US
dc.subjectaestheticsen_US
dc.titleEvolutions of Lascauxen_US
dc.typeBook Chapteren_US
melbourne.peerreviewPeer Revieweden_US
melbourne.affiliation.departmentArts: Department of Historyen_US
melbourne.publication.statusPublisheden_US
melbourne.source.titleAesthetics and rock arten_US
melbourne.source.pages177-189en_US
melbourne.elementsidNA
melbourne.contributor.authorWILKEN, ROWAN
melbourne.accessrightsOpen Access


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