| dc.contributor.author | WILKEN, ROWAN | en_US |
| dc.date.accessioned | 2014-05-22T09:21:16Z | |
| dc.date.available | 2014-05-22T09:21:16Z | |
| dc.date.issued | 2005 | en_US |
| dc.date.submitted | 2007-11-07 | en_US |
| dc.identifier.citation | Wilken, R. (2005). Evolutions of Lascaux. In T. Heyd & J. Clegg (Eds.), Aesthetics and rock art (pp. 177-189). Ashgate. | en_US |
| dc.identifier.uri | http://hdl.handle.net/11343/33530 | |
| dc.description | This is a pre-print version of a chapter in [Aesthetics and rock art published by Ashgate. The definitive version of this chapter is available at http://www.ashgate.com/default.aspx?page=637&calcTitle=1&title_id=9287&edition_id=12354 | en_US |
| dc.description.abstract | This paper charts the evolutions of the Lascaux cave in its various manifestations from the ‘original’ rock art discovered in 1940 to the replica construction ‘Lascaux II’ and a recent travelling exhibition ‘Virtual Lascaux’. The discussion briefly outlines these evolutions and then, employing the notion of the ‘hyperreal’ and the ‘simulacrum’, examines them and the paradoxical nature of ‘copies’ of an ‘original’ work of rock art. | en_US |
| dc.format | application/pdf | en_US |
| dc.language | eng | en_US |
| dc.publisher | Ashgate | en_US |
| dc.subject | prehistoric art | en_US |
| dc.subject | petroglyphs | en_US |
| dc.subject | aesthetics | en_US |
| dc.title | Evolutions of Lascaux | en_US |
| dc.type | Book Chapter | en_US |
| melbourne.peerreview | Peer Reviewed | en_US |
| melbourne.affiliation.department | Arts: Department of History | en_US |
| melbourne.publication.status | Published | en_US |
| melbourne.source.title | Aesthetics and rock art | en_US |
| melbourne.source.pages | 177-189 | en_US |
| melbourne.elementsid | NA | |
| melbourne.contributor.author | WILKEN, ROWAN | |
| melbourne.accessrights | Open Access | |
