• Mind the gap: Jo Ha Kyu [Ma] and the missing teeth: evolutionary practice based on a somatic embodied unfolding of productions, pedagogy and personal events 

  Draffin, Robert (2018)

  In this personal case study, I offer an emergent embodied practice derived from a distinct fusion of Asian theatre practices (Chinese-Japanese) and Australian training. Using the principles of Jo Ha Kyu [Ma], I construct ...

• Cueca, tradition and innovation: utilising the traditional Bolivian music form of Cueca as a generative tool in jazz based composition and improvisation 

  Rojas Luna, Danilo (2019)

  The Cueca is an expression of Latin American culture in the forms of dance, poetry and music. This investigation examines the important elements of the Bolivian Cueca, its history, development and geographical journey ...

• Choreographing time: temporality in choreography from the perspective of a solo improviser 

  Vachananda, Nareeporn (2017)

  Choreographing Time is a practice-led research project exploring how the temporality of improvisational material can be articulated to affect the attention of the audience. The research investigates how the intersubjectivity ...

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