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dc.contributor.authorFrow, John A.en_US
dc.date.accessioned2014-05-22T11:18:04Z
dc.date.available2014-05-22T11:18:04Z
dc.date.issued1982-05en_US
dc.date.submitted2006-07-27en_US
dc.identifier.citationFrow, J. A. (1982) The chant of Thomas Keneally. Australian Literary Studies, 10(3), 291-299.en_US
dc.identifier.urihttp://hdl.handle.net/11343/34139
dc.descriptionDeposited with permission of University of Queensland Pressen_US
dc.description.abstractIn this paper I want to examine the political consequences inherent in the genre of the well-made novel. I shall argue that a reading of The Chant of Jimmie Blacksmith may tell us, not only was Keneally's novel explicitly states, that there is a limit to the understanding white Australians can have of aboriginal culture, but also why Keneally was forced by the limits of the novel form itself to draw this lesson in politically conservative terms.en_US
dc.formatapplication/pdfen_US
dc.languageengen_US
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dc.titleThe chant of Thomas Keneallyen_US
dc.typeJournal (Paginated)en_US
melbourne.peerreviewPeer Revieweden_US
melbourne.affiliation.departmentArts: Department of English with Cultural Studiesen_US
melbourne.publication.statusPublisheden_US
melbourne.source.titleAustralian Literary Studiesen_US
melbourne.source.month05en_US
melbourne.source.volume10en_US
melbourne.source.issue3en_US
melbourne.source.pages291-299en_US
melbourne.elementsidNA
melbourne.contributor.authorFrow, John
melbourne.accessrightsOpen Access


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