This practice-led research project examines the notion and prevalence of our contemporary confessing society and its impact on, and relationship to, the visual arts. More specifically, it examines a contemporary confessional ...

This practice led research has explored the various ways taste (with its implicit relationship to class) has manifest itself as a type of cultural marker, sending a series of complex and coded messages to its audience. ...

The research considers the role of dissociation in manipulating subjectivity by examining its influence upon 'dissociative play'– a generative method where thought, feeling, action and production are undertaken within ...

1960’s North American Minimalism, with its slick “industrial elegance” instigated a rupture in abstract art by rejecting the gestural abstractionism of the preceding decades. This research argues that despite an apparent ...

This practice-led research project is concerned with investigating lineages of social space and its associated materialities constituted by homosexual men of the past. The project, which is reflected on in the ensuing ...

"The Refigured Fragment: provocations in experience and landscape" examines how a site-responsive sculptural practice can create alternative narrative pathways towards the understanding of a place. In the first instance, ...

This project is a practiced-based inquiry into the relationship between physical reality and virtual worlds in a period where digital technology has substantially transformed how we interact with our surroundings. The ...

This research project begins by asking, “can a photograph resist its representationalist apparatus?” It proposes that if the mechanisms of photographic representation could be used against photography’s inherent ...

This practice-based research asks how failure can be harnessed as a generative tool for locating, articulating and extending creative capacity in Assisted Solo music-dance collaboration. Throughout this research, the term ...

The practice-led research encompassed in Unlearning Cook: Decolonising photography, the monument and self has been developed as a counterpoint to dominant colonial histories. The project draws a correlation between ...