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dc.contributor.authorSUZUKI, TAKUYAen_US
dc.date.accessioned2014-05-22T17:14:03Z
dc.date.available2014-05-22T17:14:03Z
dc.date.issued2012en_US
dc.identifier.citationSuzuki, T. (2012). Time sense: cultural difference and the creation, construction and reception of animated film. PhD thesis, VCA & Asia Institute, The University of Melbourne.en_US
dc.identifier.urihttp://hdl.handle.net/11343/38100
dc.description© 2012 Dr. Takuya Suzukien_US
dc.description.abstractThis dissertation explores cultural differences in animated film production, investigating the influence of the filmmaker and viewer in the creation, the construction and the sensibility of film. A notion of inter-subjective time is applied to the discussion of microscopic and macroscopic perception of animation movement via 20th century philosophers, such as Edmund Husserl (1859-1938), Henri Bergson (1859-1941), J.M.E. McTaggart (1866-1925), Martin Heidegger (1889-1976), Maurice Merleau-Ponty (1908-1961) and Gilles Deleuze (1925-1995). This is an exploration of scientific perspectives of time as well as an investigation of cultural differences in the intentionality and the direction of time to the discussion of international animation phenomena. Understanding animation as an intersection of human perception, cultural and social movement, the author introduces his theoretical notion, time-sense, which is a combination of subjective and inter-subjective time, giving rise to archetype and our awareness of the quality of slowness and fastness of movement and its tracked shape, this dissertation reconsiders the influence of complex phenomenon of hybridized time-sense, and its close relationship to the microscopic movement of Japanese animation film. Focusing on the temporal space or ma used in anime series Puella Magi Madoka Magica (2011), the animated film Spirited Away (2001) and The Sky Crawlers (2008) as well as the movement of Hatsune Miku and Japanese video sharing website Nico Nico Dôga, this thesis identifies a cross-cultural/ intercultural time theory in search of more specific understanding of differences and similarities between cultures particularly as it relates to animation.en_US
dc.languageengen_US
dc.subjectanimationen_US
dc.subjectanimeen_US
dc.subjecttimeen_US
dc.subjectcultureen_US
dc.subjectanimation historyen_US
dc.subjectanimation installationen_US
dc.subjectanimation methoden_US
dc.subjectanimation practiceen_US
dc.subjectanimation processen_US
dc.subjectfilm structureen_US
dc.subjectJapanese cultureen_US
dc.subjectcultural difference in animationen_US
dc.subjectcultural difference in timeen_US
dc.subjecttime philosophyen_US
dc.subjecttime senseen_US
dc.subjecttime theoryen_US
dc.subjectperception of timeen_US
dc.subjecttemporal space in animationen_US
dc.subjectmaen_US
dc.subjectHatsune Mikuen_US
dc.subjectPuella Magi Madoka Magicaen_US
dc.subjectSpirited Awayen_US
dc.subjectThe Sky Crawlersen_US
dc.subjectNico Nico Dôgaen_US
dc.titleTime sense: cultural difference and the creation, construction and reception of animated filmen_US
dc.typePhD thesisen_US
melbourne.affiliationThe University of Melbourneen_US
melbourne.affiliation.departmentVCA & MCM - School of Film and TVen_US
melbourne.linkedresource.urlhttp://cat.lib.unimelb.edu.au/record=b5088356
melbourne.thesis.supervisornamePaul Fletcher
melbourne.contributor.authorSUZUKI, TAKUYAen_US
melbourne.accessrightsThis item is currently not available from this repository


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