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dc.contributor.authorJohnson, Naomi Francesen_US
dc.date.accessioned2014-06-16T16:13:46Z
dc.date.available2014-06-16T16:13:46Z
dc.date.issued2013en_US
dc.identifier.citationJohnson, N. F. (2013). Beyond incantation: paths to the interpretation of André Jolivet's Sonata for flute and piano. Masters Research thesis, Melbourne Conservatorium of Music, The University of Melbourne.en_US
dc.identifier.urihttp://hdl.handle.net/11343/39960
dc.description© 2013 Naomi Frances Johnsonen_US
dc.description.abstractFrench composer André Jolivet (1905-1974) contributed several important works to the flute repertoire, constantly pushing the limits of the instrument’s technical and expressive capabilities yet maintaining a musical language distinct from that of French compositional trends in the mid-twentieth century. His two concertos and sonata written between 1949 and 1965 are seldom performed, with flautists preferring to engage with the programmatic pre-1945 works Cinq incantations pour flûte seule and Chant de Linos. This thesis adopts the methodology of practice-based research, and seeks to facilitate an informed and engaging performance of Jolivet’s 1958 work, the Sonata for flute and piano through contextual study and analysis.en_US
dc.languageengen_US
dc.subjectAndré Joliveten_US
dc.subjectpractice-based researchen_US
dc.subjectperformanceen_US
dc.subjectpitch-class set analysisen_US
dc.subjectfluteen_US
dc.titleBeyond incantation: paths to the interpretation of André Jolivet's Sonata for flute and pianoen_US
dc.typeMasters Research thesisen_US
melbourne.affiliationThe University of Melbourneen_US
melbourne.affiliation.departmentMelbourne Conservatorium of Musicen_US
melbourne.affiliation.departmentMelbourne Conservatorium of Music
melbourne.affiliation.facultyVCA & MCM
melbourne.contributor.authorJohnson, Naomi Francesen_US
melbourne.accessrightsThis item is currently not available from this repository


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