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dc.contributor.authorRobinson, Camille
dc.date.accessioned2016-02-16T22:42:50Z
dc.date.available2016-02-16T22:42:50Z
dc.date.issued2016
dc.identifier.urihttp://hdl.handle.net/11343/58790
dc.description© 2016 Dr. Camille Robinson
dc.description.abstractSonic artists and listeners to sonic artworks tend to take for granted that how a listener listens to a sonic artwork affects what that listener perceives that sonic artwork to be, through the listener’s inclusion, exclusion, and interpretation of the sonic events that constitute a given artwork. This tendency leaves the act of perception un-theorised in the production of sonic artworks, and unquestioned in their reception by listeners. This project seeks to address this problem by making sonic artworks that take criticality of listening as their primary focus, on the part of artists and listeners. Its aim is to explore structuring sonic artworks around critical discourses on listening, and for those artworks to foster critical reflection on listening by listeners, hinging on the question: “how can sonic artworks be made that form critiques of listening?” Based on an integration of schema theory and immanent critique, I devise and apply a rationale for making sonic artworks structured as discourses on listening. I complement this with an original adaptation of the Heuristic Research method, which I use to determine whether the artworks made for the project foster critical reflection on listening in audience experience, through the collection and appraisal of a group of listener’s descriptions of their experiences of the works.en_US
dc.subjectlisteningen_US
dc.subjectpractice based researchen_US
dc.subjectpractice-based researchen_US
dc.subjectpractice led researchen_US
dc.subjectpractice-led researchen_US
dc.subjectmusicen_US
dc.subjectart musicen_US
dc.subjectsound arten_US
dc.subjectsonic arten_US
dc.subjectinstallation arten_US
dc.subjectconceptual arten_US
dc.subjectperceptionen_US
dc.subjectpsychoacousticsen_US
dc.subjectpsychophysicsen_US
dc.subjectphenomenologyen_US
dc.subjectheuristic researchen_US
dc.subjectcritiqueen_US
dc.subjectimmanent critiqueen_US
dc.subjectschemaen_US
dc.subjectschemataen_US
dc.titleListening art: making sonic artworks that critique listeningen_US
dc.typePhD thesisen_US
melbourne.affiliation.departmentSchool of Contemporary Music
melbourne.affiliation.departmentSchool of Performing Arts
melbourne.affiliation.facultyVCA & MCM
melbourne.thesis.supervisornameRoger Alsop
melbourne.contributor.authorRobinson, Camille
melbourne.accessrightsOpen Access


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