The significance of percussion in contemporary music between 1945 and 1970
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1981
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Melbourne Authors
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Music
Faculty of Music
Faculty of Music
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Masters Coursework thesis
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Sablinskis, P. V. (1981). The significance of percussion in contemporary music between 1945 and 1970. Masters Coursework thesis, Faculty of Music, University of Melbourne.
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Deposited with permission of the author. © 1981 Paul V. Sablinskis.
Abstract
Chapter one discusses the developments between 1900-1945, concentrating on composers’ growing concern for percussion instruments and percussive sound sources. Chapter two discusses trends between 1945-1970, revealing the particular relationship between the concepts of New Music and the material of percussion. Chapter three concentrates on a detailed discussion and analysis of four percussion works, which present examples indicative not only of the diverse range of percussion scores composed in the period but also of the connection between new ideas and percussion.
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percussion music, percussion ensembles, percussion instruments