Opus aureum : musice castigatissimum de Gregoriana, et figurativa atque contrapuncto simplici percommode tractans omnibus cantu oblectantibus utile et necessarium e diversis exerptum ; Fata regunt finem, spero dij cepta secundent : qui ducis vultus et non legis ista libenter : omnibus invideas, livide nemo tibi
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Associated Records
Editor
Date
1501
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Publisher
H. Quentel
Melbourne Authors
Affiliation
Rare Music Collection
Document Type
Book
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Open Access
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Description
Colophon (p. [77]): [Paraph] Explicit opusculum muslces omnibus volentibus cantum utrumque scire necessarium fausto fine Impressum Colonie per honestum virum Henricum Quentel civem famatum eiusdem Anno missionis in carnem divini verbi millesimo quingentesimo uno addito
The staves alone are printed for the musical examples of the third and fourth parts ; in some copies they have been filled in with music notes in manuscript
In four parts, of which only the first two, treating of music in general and of plainsong, are by Wollick; the last two, dealing with measured music and with counterpoint, are by Melchior Schanppecher. Later completely reworked by the author and published as his Enchiridion musices ... de Gregoriana et figurativa
This copy has staves for parts 3 and 4 left empty
This copy from the Collection of Louise Hanson-Dyer
The staves alone are printed for the musical examples of the third and fourth parts ; in some copies they have been filled in with music notes in manuscript
In four parts, of which only the first two, treating of music in general and of plainsong, are by Wollick; the last two, dealing with measured music and with counterpoint, are by Melchior Schanppecher. Later completely reworked by the author and published as his Enchiridion musices ... de Gregoriana et figurativa
This copy has staves for parts 3 and 4 left empty
This copy from the Collection of Louise Hanson-Dyer
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Copyright in this material has expired. The work is in the public domain and can be used for any purpose. Please acknowledge the University of Melbourne Library as the source of this material.
Keywords
Music theory -- Early works to 1800