Into a new future: Australia's early cultural diplomacy and the case of the Australian Youth Orchestra at Expo '70
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2026
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Melbourne Authors
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Fine Arts and Music Collected Works
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Honours thesis
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© 2026 Lola Schuele
Abstract
In Australian cultural diplomacy (CD), the understanding of musicians as “non-state” actors has been limited. Though studies on this topic examine the history and efficacy, they present less on the role of “non-state” actors in furthering international relationships through their ability to connect with audiences. This thesis situates Australia in the 1970s, where fostering stronger diplomacy between its prospective partners of Japan, India and ASEAN was front of mind. In a six-month cultural Expo in Osaka (Japan), Australia was provided with an opportunity to project a nation of “diversity, modernity and enterprise,” expressed by Prime Minister John Gorton at the time. A part of Australia’s Expo ‘70 cultural portfolio was a week of performances by the Australian Youth Orchestra (AYO) conducted by John Hopkins. For this performance, the AYO commissioned Peter Sculthorpe’s Music for Japan, which was intended by Sculthorpe as “a present to Japan from Australia.” Through examining the motivations of both the AYO and Sculthorpe as “non-state” actors this project will show how Australian artists internalise the role of national ambassadorship when used as “non-state” actors in Australian CD.
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Australian cultural diplomacy, non-state actors, music diplomacy, Australian Youth Orchestra, Expo '70 Osaka, Peter Sculthorpe, Australia–Japan relations, national ambassadorship